What makes someone tick? Depends on the individual. In my case it is creating things, most of them musical. While my day job is all about ideas (and making them come to life), the nostatic existence is inextricably tied to music.
Here is the “just the facts” data:
- primarily a bassist these days, but also can play keyboards, guitar, and a little banjo if you insist
- read, have a great ear, a car that works, and I’m not a flake
- have gigged on and off for over 40 years, doing everything from solo singer/songwriter shows to small jazz ensembles to jazz big bands to musical theater pits to funk, soul, and rock shows.
- steeped in jazz, funk, soul, rock, and most anything in-between
- playing out in front of people (no matter how many or how few) or in the studio – as long as there is music to be made I’m in
If it makes a difference, I have a phd in chemistry from Caltech. I also am an amateur extra-class radio operator (KG6TR), photographer, filmmaker, perpetual tai chi student, ex-car and bicycle racer, motorcycle tourer, and seeker of the illusive green room. In the early 00’s I spent four years playing with Kaz Takeda, appearing on four albums and performing shows in LA and Japan. I was bassist and producer in Simpleflower, and since 2009 have played hundreds of shows in Southern California with a number of different bands. I’ve studied with Grammy-award winning bassist Victor Wooten, Kai Eckhardt, and worked with Anthony Wellington on both bass and keyboard.
Most recent additions to the discography are the nostatic Time’s Up 2014 and 2016 String Life Live albums, Blue Noise Kitchen’s Dancer on the Road 2017 EP (bass, co-writing, mixing/producing the title track) and Lefty and the Hatman’s 2019 album Deja Blue (bass). I’m providing tracks for a new Lefty and the Hatman album, and the new nostatic album “like dissolves like” dropped on 11Jan22.
enjoy the ride – todd richmond
I am a Fodera artist
and endorse FEA Labs effects